In my research I used historical sources, writings of the composers and writers of the time, together with detailed analysis of representative compositions. Within this context, the question of musical nationalism inevitably arises as well as the way in which it was faced, surrounded, transformed and solved by the composers of the time. This work, together with my analysis of the rhythm, melody, harmony and structure of the soleares, seeks to offer reflections, tools and conclusions for those looking to imitate soleares singers on the cello. Name: Samuel Terence Nolan. PDF) LISTENING TO WESTERN MUSIC | youlan wu - Academia.edu. In addition to her studies, Mills is passionate about finding ways to inspire young people to engage with classical music. For their part, singers need more training in music theory, solfege and score reading skills, and while they need to master their classical technique, they must also be openminded and flexible enough to experiment beyond that training—while staying within the healthy limits of their sound production, and knowing how to communicate in order to preserve these boundaries. This papers examines a passage involving repeated chords from Prokofiev's Sarcasms by the application of several well-known piano methods both in the researcher's own practice and in a pedagogical situation.
OBOETRY – French poetry played in melody: a poetical & vocal approach to French 'mélodie' on oboe. The Young Person’s Guide to the Orchestra | work by Britten | Britannica. The purpose of this research is to investigate the different ways of articulating fast passagework on the dulcian in repertoire spanning the period ca. For octaves, I find the possible solutions by using basic, chordal, extension fingerings and shifting strategy. How do musicians give words to those moments when their music does the talking? The approach involved a look into the obstacles and benefits of the instrumentation and how one could overcome and make use of these characteristics.
In my free time I am a conductor of a children's choir and a mixed choir. It started with my personal wish as a singer to be able to express feelings behind words in such a way that the relation between both becomes more clear. It has enriched my expressive pallet by including more freedom in my playing in many different aspects. As pianists we are frequently asked to think and play orchestrally, but sometimes we do not have the inspiration or tools to experiment with new sonorities and modes of sound production. Listen to this excerpt from benjamin britten's young person's guide to the orchestra. play play - Brainly.com. Olivier Messiaen (1908-1992), one of the most famous French composers of the 20th century, was also known to be a great organist and improviser, as organist of Église de la Sainte-Trinité in Paris for over 60 years. Intabulating involves the writing out of several parts into tablature, but does this twofold distinction really apply to all pieces? An Approach to Romantic cello playing in Brahms's time.
It is therefore a historical research based on available bibliography as well as in sources of the period. Case studies are provided to demonstrate and test the theory on practical use and extend into less obvious areas like writing song intro's and cadenzas. How can understanding of these differences, similarities and characteristics help me to react appropriately in different musical situations and combinations? Currently, she is busy completing her Master's degree and thesis under the tutelage of Professor Eric Hoeprich in the Netherlands. Basso continuo is an essential part of baroque music, but the instrumentation of it is often ignored or dismissed. Summary of Results: The goal of this research is to stress the importance of research in the arts in redefining the role of the musician within society and of opening up a new wave of debate with which to vitalize the historically informed performance movement. Anne-Linde is 'Young Bach Fellow' of the Nederlandse Bachvereniging and member of the Theresia Youth Baroque Orchestra (Italy). I also identified two predecessors to specfic stylistic approaches. This is because the composers did not always have complete mastery of the guitar. The piece was conceived for percussion instruments but there was not enough room in the theater to set up all these instruments. Listen to the following excerpt from benjamin brittens and mary. The instrumental section singer - Implementing vocals in a 3 part horn arrangement. The motivations of playing orchestral excerpts that were not yet transcribed, or which are currently known nowadays is perhaps the main point of my research. Which of the following most likely contains an improvised solo? Currently she is pursuing her master's degree with David Kuyken at the Royal Conservatoire in The Hague.
Can creating orchestral transcriptions of this piano piece confirm or change current perceptions of its character and meaning; and can studying the relationship between the orchestral and piano duo versions of Rachmaninoff's Symphonic Dances help inform my arrangements of his Variations? Interdisciplinary approaches to performance creation are becoming more accepted and more common in academic music contexts. Where can I find aural trademarks, which I recognize both as a listener and as a player and which contribute to my personal perception of the "Strayhorn sound"? However, other piano pieces remained very dear to me, and this up until today. What's the modern solution of fingerings and its influence? Research Supervisor: Pete Saunders. The texture of this example is... :17. Listen to the following excerpt from benjamin brittens youtube. Identify the percussion instrument that plays the melody in the following example. As a listener, I am fascinated by Messiaen's extraordinary approach to harmony. In wind instruments, sound is produced by setting a column of air in motion inside the body of the instrument. Title of the Research: The Russian way of playing the accordion: a case study related to the Chambersuite of Vladislav Solotarjow.
Music that is not associated with a particular story, image, object, or event is called _________ music. Which of the following describes this example? This initial discussion is in support of a questionnaire which I conducted in order to gather results from respondents of their perceived emotional response and valence when presented with differing musical excerpts, both upon an initial and second listening. The purpose of my Research is to explore why at the beginning of the XX° century wind orchestras in different Countries in Europe sounded so singular and why nowadays the sound is so similar one to the other. The presentation will include an overview and discussion of the sources and evidence found, and live musical demonstrations will be presented by myself and colleagues. We can adjust it in order to develop sound that we desire. The additional questionnaires, interviews and formats that were analyzed give this study a broader scope for identifying distinct factors that may have a relation with the exercises applied and higher self-ratings of self-efficacy. This paper endeavors to combine original patents, miscellaneous historical documents, and evidence gathered from extant historical instruments by Lyon & Healy to identify each of the above and other specific changes, their inventors, the time of their introduction, as well as the overall motivation behind each of these important changes. The first approach refers to have a clear idea of the body movement required to achieve the different types of position change. As modern-day lutenists, one should really embrace the large size if one wishes to play the chitarrone, and develop a technique to suit the instrument, instead of scaling down the instrument to suit the technique. Listen to the following excerpt from benjamin brittens and prince. Currently, she studies with Catrin Wyn-Davies. Drawing from this study, I have created a digital performance project entitled "The Narrativity Sessions, " which functioned as an experiment utilizing this knowledge of intersectional feminist theory and praxis fused with select critical curation strategies applied to my own artistic practice as a classical singer.
This thesis is potentially a model for further extrapolation of his output and a beginning of a more developed research path. Saxophonist, composer, arranger, award winner, Claudio Jr De Rosa is a rising personality in the European Jazz scene. Title of Research: The Lamentações para a Semana Santa by José Joaquim dos Santos and Luciano Xavier dos Santos and the music for two violas, voices concertate and low instruments. What was the Baroque Clarinet's role in Sacred Music? Handel uses different combinations of dynamics and timbre to achieve unity and variety in See Here the Conqu'ring Hero Comes.
The following example from the Classical period may be classified as a/an::37. Research Question: How can feedback, advice and judgement be used in such a way, that it contributes to the learning process of the students? The Trombone came into Georgios' life at the age of 15, although he had started playing music at the age of ten in his local fanfare band. Consequently, an important challenge in this case consisted of writing the transcription in a feasible notation that would be playable for any oboist, even without prior knowledge of the French language and poetry, hopefully leading to a poetical and purposeful performance of the piece. He has given contemporary solo performances at the Rotterdam Contemporary Art Fair, Carnegie Hall, several universities and conservatories across the U. and Europe, and a lecture/performance on Iannis Xenakis at the International Society of Bassists convention. Understanding form is not necessary for enhancing the appreciation of music. The first is the concept of expectation. In 2002 he won his current position as principal trombone of the Athens Philharmonia and in 2003 finished his studies with a 10 and first prize. Juan Manuel Cisneros (Málaga, Spain, 1978) is pianist, composer and teacher. The process started by reading and informing myself as much as possible through books, articles, and personal experience. Title of Research: Listening to Messiaen's colourful hands. The data obtained from the intervention and a retention test also revealed enhanced levels of organisation, objectiveness, mindfulness, and confidence during practice.
I created the handbook, containing tips tricks and rules: music theory, all the knowledge shared with me during interviews, Coco's preferences, all the rules are there. One aspect of composing is making countless connections, consciously and unconsciously, to other works. "Avec Picasso, ce matin... ". Is it possible to establish bibliographic control of this research, and outline the major deficits in existing literature? Passages describing this technique were found in treatises and works by C. P. E. Bach, Türk, Milchmeyer, Adam, Hummel, Moscheles, Czerny, and more. It is now my conviction that this process of detailed and informed musical preparation is essential to my ability to be an effective performer and create great music. With the research tool Belbin, Mr. J. Boogaars helped me to discover my personal learning style. For example, the chosen key has consequences for the amount of sharps and flats in the individual parts for the different instruments. Body language of a singer on stage.
In order to explore this idea of interpretive multiplicity and flexibility in the Variations, I based my transcription process on Rachmaninoff's Symphonic Dances: a work that the composer produced first for orchestra and afterwards for piano duo. With bowed instruments, a player moves a horsehair bow with rosin across the strings to vibrate them. On this basis, I searched for the influence of knowing your personal learning style on this studying. The influence of publishers on the interpretation of contemporary violin performance practise. As far as we know, the VI Concerti Armonici by Unico Wilhelm van Wassenaer were written for a chamber music setting with one instrument per part. Players were using different techniques for it, creating a different effect, and there was a system and common knowledge of when and how vibrato should be used. Analysis of the Three Solo Sonatas op.
The following selection is from Berlioz's Symphony Fantastique.