If you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added. As he recalls, "I found myself in San Francisco around the City Lights bookshop and the Discovery bookshop and I was working around people like John Altoon, Bruce Conner, and others. ] A postcard invitation to a preview screening of Lawrence Weiner's color video work A Bit of Matter and a Little Bit More, a 23-minute video which mixed pornography with philosophical and conceptual narration and music. Estimated will arrive after 1 month be patient while waiting your shipment. ISBN 978-3-7757-5260-2. Moderated by Eugenia Delfini. Doing that you have an obligation to do as closest as you possibly can to the reality with all relationship to materials and how they relate to each other. " His intention was to bring the public's attention to surfaces and structures that usually go unnoticed. A First Quarter, 1973. These are complemented by numerous statements by Herman and Nicole Daled, giving insight into their collecting activities. He lives and works in New York. In The Hole at P. 1, Fifth Solar Chthonic Wall Temple, sunlight is the natural medium that influences the general shape of the sculpture.
'A Bit of Matter and a Little Bit More' is a rather pornographic type of video. He cites his first encounters with art as occurring during visits to the Metropolitan Museum of Art and the Museum of Modern Art in the 1950s. Weiner went on to make a number of other films, such as DO YOU BELIEVE IN WATER? He contended that language reaches a broader audience [than other artistic media], and situating language in contexts outside traditional art-viewing settings, such as art museums, furthers that reach.
As per his Declaration of Intent (1968) these text-based works do not need to be executed by the artist himself. Past residencies include Artists Alliance / LES Studio Program (NYC), Expressiones Cultural Center (New London, CT) and Ace Hotel (NYC). Nothing to Lose, 1984. video, color, sound, 22 min.
WIELS Club / Maison Rouge. This site-specific installation was curated by Carolyn Christov-Bakargiev as part of the Vertical Painting series initiated by Alanna Heiss in 1997. This stop stressing Wear Make is made with material premium quality cotton for a great quality soft feel and comfortable retail fit. Oesophageal atresia. Through process oriented and conceptually driven researches, we will open a debate about the mutability of matter, potentiality of assemblage, and sculptural syntax. Graphic design by Konstantin Haubrok. We try our best to pack the products in the most protected way possible.
I love to put work of mine out on the walls and let people read it. Some products are likely to be in the process of restocking and may require more time to prepare. Inquire about price & availability. That is precisely how Weiner wants his words to function; they may be descriptions or facts [... ] but they are also catalysts for an interaction with the viewer/audience. BODY by Lotte van Raalte, 2020. Part of the value of Weiner's work is in drawing attention to the wider realities enclosing it, including the industrial and architectural materials and space around it.
Teratoma - Damien Schumann. PayPal is a safe, fast and easy online payment. Weiner helped to define the parameters of Conceptualism, which would go on to become arguably the most influential art movement of the half century; from 1970 onward. The Gentlewoman #18 featuring Agnès Varda. Weiner's parents were Jewish but did not make this a significant aspect of their son's upbringing. In an attempt to explore the history of Sol LeWitt's public projects and to record his long-lasting relationship with MoMA PS1, the artist created Crayola Square, a Crayola crayon wall drawing originally created in 1971 at an event organized by PS1 founder Alanna Heiss.
In his own film, Weiner adopted many of the techniques used by Godard and other directors of Nouvelle Vague cinema, such as the presentation of simultaneous realities, altered flashbacks, and plays on time and space. Cecily Brown: Untitled. Importantly, he also saw the use of language in art as less baggage-laden than traditional media, a means of reclaiming art for, and making it accessible to, an imagined mass audience. The photograph depicts a banner, found all across the Long Island City area of Queens, which espouses ownership as a creative force.
As he stated: "The flexure of each material draws a line in space which corresponds identically to its physical properties. Curator Ann Goldstein writes that "Weiner's employment of language allows the work to be used by its receiver. This photograph by Daniel Buren was taken during the production of the video. The actors in the film are all artists, who at various times recite or write the names of artworks by Weiner.
From then on, the majority of Weiner's work took the form of text-based wall installations. Images of a boat in flames, put out by firemen, are included in the course of the dialogue. He restages and re-examines seminal works of 20th century Conceptual and Minimal art, reflecting on appropriation and demystifying the creative process. Weiner therefore made a crucial contribution to defining Conceptualism as a mode by which art could challenge and subvert the traditional object status of the work. Subdural haemorrhage. In the video, the artist swims nude in an incandescent lava bath and cries out "I am a worm and you are a flower! " He attended Stuyvesant, an all-boys high school, though he cut class frequently and later attributed his early education more to the public library than to the school system. Exposing individuality - Juliet Forsyth. Education and Early Training. The Gentlewoman #20 featuring Margaret Atwood. The exhibition is organized by Peter Eleey, Chief Curator, MoMA PS1; Oliver Shultz, Curatorial Assistant, MoMA PS1; and Jonathan Lill, Leon Levy Foundation Project Manager, The Museum of Modern Art Archives. Europe: 3-5 business days.
Secondary Navigation. This postcard advertises the showing of this work that mixed pornographic imagery with symbolism and philosophy. Artist presentations will take place after the screening. Even though both parents were youngest children of large families, he never knew any of his aunts, uncles, or cousins. The discussion as to whether any of his works belong in one place more than another was a source of disagreement between Weiner and many of his viewers and critics.
FANTASTIC MAN #24, featuring DEMNA GVASALIA. Lawrence Weiner has elaborated a rigorous oeuvre that reflects and encourages the interaction of both linguistic and artistic themes, having worked with installations (especially site-specific ones), videos, films, books, audio recordings, sculptures, and performances. KASSL EDITIONS, visual identity and art direction. Hardcore, the opening shot, shows the crotch areas of a male and female body engaged in coitus. The Legacy of Lawrence Weiner.
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